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Kon Ichikawa
Writer 1915 - 2008

Kon Ichikawa

Mie, Japan

Kon Ichikawa was a Japanese film director and screenwriter. His work displays a vast range in genre and style, from the anti-war films The Burmese Harp and Fires on the Plain, to the documentary Tokyo Olympiad, which won two BAFTA Film Awards, and the 19th-century revenge... Read full bio →

Filmography

Every title this person wrote

14 titles
Inugami-ke no ichizoku

Inugami-ke no ichizoku

Kon Ichikawa 2006 2h 14m

Inugami Sahei, who built up the wealth of the Inugami Clan, passes away, leaving a will with Furudate, his legal adviser, for his daughters Matsuko, Takeko and Umeko, all of whom have different mothers, and for their sons, as well as for Nonomiya Tamayo, the granddaughter of a person to whom Sahei feels heavily indebted.

Dora-heita

Dora-heita

Kon Ichikawa 2000 1h 51m

A new magistrate in the town of Horisoto—widely reputed to be the most lawless township in Japan, uses guile and his opponents' own misperceptions and prejudices to defeat his enemies and uproot corruption.

Shijûshichinin no shikaku

Shijûshichinin no shikaku

Kon Ichikawa 1994 2h 9m 8.0

A group of disgraced samurai plan a decade long revenge against a corrupt lord.

Sasame-yuki

Sasame-yuki

Kon Ichikawa 1983 2h 20m

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

Ginga tetsudô Three-Nine

Ginga tetsudô Three-Nine

Rintaro 1979 2h 8m 8.0

The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.

Byoinzaka no kubikukuri no ie

Byoinzaka no kubikukuri no ie

Kon Ichikawa 1979 2h 19m

This time, Kousuke investigates a murder in a hospital. The murderer leaves misleading evidence to divert Kousuke's attention on the case. Suspicion and doubt clouds Kousuke's mind.

Joôbachi

Joôbachi

Kon Ichikawa 1978 2h 20m

To solve the mystery of a murder of an old governess which takes place at a wealthy Daidoji family's country estate, family secrets and lies dating back several generations must be sorted out once and for all.

Akuma no temari-uta

Akuma no temari-uta

Kon Ichikawa 1977 2h 24m

Kôsuke Kindaichi, a somewhat peculiar private detective, visits a remote town. He meets a police detective and they start to investigate an old unsolved murder. Then some murders happen. Kindaichi must find out about the past in order to reveal who the murderer is.

Inugami-ke no ichizoku

Inugami-ke no ichizoku

Kon Ichikawa 1976 2h 26m

When a tycoon passes away, he unexpectedly leaves the family fortune to outsider Tamayo on the condition that she marries one of the grandsons, pitting blood against blood.

Matatabi

Matatabi

Kon Ichikawa 1973 1h 40m

Follows the fluctuating fortunes of three ronin in feudal Japan who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. Though they use the servants' entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.

Tôkyô orimpikku

Tôkyô orimpikku

Kon Ichikawa 1965 2h 50m 7.0

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets.

Kagi

Kagi

Kon Ichikawa 1959 1h 47m

A man getting on in years sets out to find a way to resurrect his flagging virility.

Enjô

Enjô

Kon Ichikawa 1958 1h 39m 8.0

Learning of his family's collapse, acolyte Goichi, sent to study silently at the Temple of the Golden Pavilion, must endure acute psychological distress.

Okuman choja

Okuman choja

Kon Ichikawa 1954 1h 23m

An ethical, young tax collector new to his area encounters increasingly absurd individuals and groups coping with their post-war woes.

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