Andy Warhol
Andy Warhol (August 6, 1928 – February 22, 1987) was an American magazine and ad illustrator who became a leading artist of the 1960s pop art movements. He ventured into a wide variety of art forms, including performance art, filmmaking, video installations and writing, and... Read full bio →
Sangue per Dracula
An ailing vampire count travels to Italy with his servant to find a bride.
Flesh for Frankenstein
Baron Frankenstein creates two "zombies" - one male, one female - planning to mate them in order to create a master race.
Heat
Spoof of the casual sexual adventures of a one-time child actor in Hollywood. It also involves a bratty on-again, off-again lesbian character.
Trash
The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend.
Blue Movie
Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.
Lonesome Cowboys
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Flesh
A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.
My Hustler
Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.
Chelsea Girls
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Empire
Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.
Blow Job
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
Kiss
An hour-long paean to the art of the kiss featuring fourteen couples, from passionate participants to lethargic lovers, engaging in the intimate act.