Scot Armstrong
Scot Armstrong is an American screenwriter, director, and producer. He is credited with writing or co-writing numerous comedy films, including Old School, The Hangover: Part II, Semi-Pro, Road Trip, and many others. He is also the writer and director of the 2015 film, Search... Read full bio →
The Hangover Part II
The Hangover crew heads to Thailand for Stu's wedding. After the disaster of a bachelor party in Las Vegas last year, Stu is playing it safe with a mellow pre-wedding brunch. However, nothing goes as planned and Bangkok s the perfect setting for another adventure with the rowdy group.
Semi-Pro
Jackie Moon, the owner-coach-player of the American Basketball Association's Flint Michigan Tropics, rallies his teammates to make their NBA dreams come true.
The Heartbreak Kid
The story centers on a man who is convinced that he has finally met the right girl and marries too quickly. While on his honeymoon and in the process of discovering that his new bride is a nightmare, he meets the girl of his dreams
School for Scoundrels
A young guy short on luck, enrolls in a class to build confidence to help win over the girl of his dreams, which becomes complicated when his teacher has the same agenda.
Starsky & Hutch
It's 1975, we witness the birth of the partnership of undercover cops Starsky and Hutch. One is uptight and by-the-book, the butt of hazing by other officers; he runs through a dozen partners in two years. The other steals from bookies and hangs out with low-lifes.
Old School
Mitch, Frank and Beanie are disillusioned with their personal lives begining when Mitch's nymphomanic girlfriend, Heidi, cheats on him, then former party animal Frank gets married, but unwilling to get go of his wild life, and Beanie is a family man seeking to reclaim his wild and crazy youth.
Road Trip
After a student at the University of Ithaca films his one-night stand with a beautiful sorority girl, he discovers one of his friends has accidentally mailed the homemade sex tape to his girlfriend in Austin. In a frenzy, he must borrow a car and hit the road in a desperate bid to intercept the tape.