Ritwik Ghatak
Ritwik Kumar Ghatak was a Bengali filmmaker and script writer. Along with prominent contemporary Bengali filmmakers Satyajit Ray and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality. Although their roles were often adversarial, they... Read full bio →
Jukti, Takko Aar Gappo
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.
Titash Ekti Nadir Naam
An in-depth look at the lives and struggles of the community of fishermen living by the river Titash.
Subarnarekha
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal.
Komal Gandhar
Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.
Meghe Dhaka Tara
A film about a daughter of a refugee family and her tregic story "meghe daka tara"
Madhumati
Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.
Ajantrik
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.