Jay Cocks
John C. "Jay" Cocks Jr. (born January 12, 1944) is an American film critic and screenwriter. He is a graduate of Kenyon College. Before shifting to screenplay writing, he was a critic for Time, Newsweek, and Rolling Stone, among other magazines.
A Complete Unknown
New York, early 1960s. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota arrives in the West Village with his guitar and revolutionary talent, destined to change the course of American music.
Silence
Two Jesuit priests, Sebastião Rodrigues and Francis Garrpe, travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.
De-Lovely
De-Lovely is a 2004 American/British musical biographical film directed by Irwin Winkler. The screenplay by Jay Cocks is based on the life and career of Cole Porter, from his first meeting with Linda Lee Thomas in 1918 until moments before his death in 1964.
Gangs of New York
In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader. He knows that revenge can only be attained by infiltrating Cutting's inner circle.
Strange Days
Strange Days is a futuristic vision of the world from the eyes of director Kathryn Bigelows. A science fiction thriller about a retired politician named Lenny Nero who has the power of carrying on the memory and dreams of other people.
The Age of Innocence
Tale of 19th century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Made in Milan
As he prepares for a show, fashion designer Giorgio Armani discusses his principles of fashion, his family history and the city of Milan.
The Last Temptation of Christ
Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.