A look into the life of Laurent Garnier, one of the godfathers of house music, from his emergence on the music scene in the 80's to now. The story of the last music revolution through the eyes of a pioneer.
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A look into the life of Laurent Garnier, one of the godfathers of house music, from his emergence on the music scene in the 80's to now. The story of the last music revolution through the eyes of a pioneer.
A two-hour window into the heart of Hayao Miyazaki's creative process, the documentary follows six long years of work during the making of The Boy and the Heron, the latest film by the master of Japanese animation.
Two struggling actors find solace from lockdown isolation by staging Hamlet in Grand Theft Auto Online (2013), battling griefers as they connect through William Shakespeare.
Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.
A man searches for his friends who go missing in Cambodia.
"Intuitive conjuring and orchestration of retinal phantoms, refined by abstraction into music for light and mind. Light, both wave and particle, alive and moving, making shadow and, therefore, time."
Named for the colonnades of the ancient Lyceum, the film juxtaposes industrial arcades in golden morning light with lush images of streams and wooded glens. Empty of human figures yet rich in presence, Beavers composes landscapes that evoke both 19th-century painting and a quiet sense of spiritual immanence.
Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.
A meditation on landscape and desire, the film juxtaposes arid terrain, wild grasses, and herds of goats with the naked figure of a torso in shifting light. Shepherd’s calls, flute phrases, and the rhythm of bells echo Beavers’ quick, side-to-side camera movements, building to a vibrant visual and sonic ostinato.
Distilled in 1996 from an earlier 50-minute trilogy, this 26-minute film was shot in Greece and Austria and structured around two recurring intertitles, “He said” and “he said.” Each introduces delicate studies of light and place—hotel interiors, cafés, hillsides, storefronts, and street life—framed in parallel variations. The title invokes Apol...
Shot in Florence and the Alps, the film contemplates traditional European labor—ice vaults, bookbinding, cooking—while largely omitting human protagonists. Through textural equivalences between workshop and field, book and forest, stone and mountain, Beavers reflects on the resonance of craft and place.
Beavers intercuts scenes of traffic in Bern with details from the 15th-century altarpiece The Martyrdom of St. Hippolytus. In its revised form, the film gains a psychodramatic intensity, juxtaposing Markopoulos in shafts of light with a torn self-portrait and recurring shots of a shattered windowpane.
Filmed on Hydra, the work studies a young man’s face across shifting light and landscape, framed through customized masks and filters. The constant visage, set against iconic surroundings, evokes a Renaissance portrait while reflecting on binaries of youth and age, creation and critique, image and text.
Filmed when Beavers was 18–19, this self-portrait depicts him and Gregory J. Markopoulos in their Swiss apartment. A diary of domestic life, it transforms everyday objects and intimate details into a charged meditation on love, memory, and desire.
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official chan...
200 years after its opening and a century after acquiring its first Van Gogh works, the National Gallery is hosting the UK’s biggest ever Van Gogh exhibition. Van Gogh is not only one of the most beloved artists of all time, but perhaps the most misunderstood. This film is a chance to reexamine and better understand this iconic artist. Focusing ...
Manet’s portraits are rarely afforded such close attention as they are given in this exquisitely crafted and insightful film presented by art expert Tim Marlow. Manet’s portraiture comprised about half his work, giving life on canvas to family, friends and the literary, political and artistic figures of the day.
Many know Munch as the man who painted The Scream, but his complete works are remarkable and secure his place as one of the world's great artists. Munch 150 goes behind the scenes to show some of the process of putting the exhibition together - as well as touring Norway to provide an in-depth biography of a man who lived from the mid-19th centur...
Filmed in London’s National Gallery, New York’s Met and other galleries in the USA and the Netherlands, this stunning film delves into a breath-taking collection of Vermeer’s finest pieces and delivers a detailed biography of the artist, his life and times. An exposition of period musical pursuits is blended with the art of Vermeer and his conte...