Jon Jost
Jon Stephen Jost (born 16 May 1943 in Chicago) is an American independent filmmaker. Born in Chicago to a military family, he grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. He began making films in January 1963 after being expelled from college. In 1965 he... Read full bio →
Coming to Terms
One day, father makes a shocking decision in a family gathering. The family disagrees with it and against him in the very beginning. However, they make up their mind to support him at the end. A portrait of family disorganization casting the master of experimental film, James Benning.
The Bed You Sleep In
Times are hard for Northwestern lumber-mill operators like Ray and his wife Jean. Ray and Jean's lives are thrown into chaos when their daughter writes home from college, claiming to have a horrifying revelation.
Frameup
Ricky, a dim-witted ex-con, meets Beth, a dim-witted waitress, in an Idaho diner. They take off in his car to Washington and begin an affair. Beth, a lonely romance-novel addict, is hopelessly enamored; Ricky is just in it for the (constant) sex.
Rembrandt Laughing
This film is a portrait of the passage of one year in the lives of some San Francisco friends, circa 1988 (before the dot.coming of the city), a slow marijuana hazed story which drifts like the fabled fog, encompassing the quirks and habits of a generation that made the city theirs, if only for a while.
Plain Talk & Common Sense
Plain Talk is a complex essay-film, a follow-up a decade and some years later to Speaking Directly, and so another State of the Nation discourse, made for Britain's Channel Four in the year 1986-87.
Last Chants for a Slow Dance
A man who is dissatisfied with his family life leaves home for weeks at a time, drifting from town to town.
Angel City
A detective fiction mixed with an essay-documentary about Los Angeles, Hollywood and the film industry, Angel City is a satiric comedy with serious intentions.
Canyon
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him.