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James Benning
Director 83 years old

James Benning

Milwaukee, Wisconsin, USA

Over the past thirty-five years James Benning (b. 1942) has played a central role in the history of American independent cinema by offering his rigorously structured yet wonderfully graceful films as extended meditations on the American landscape and its social and... Read full bio →

Directed Films

Every film this person directed

18 titles
Measuring Change

Measuring Change

James Benning 2016 1h

Towards the end of 2015, James Benning made one of his occasional expeditions to Utah, to the place where Robert Smithson's colossal land-sculpture Spiral Jetty (1970) extends out into the Great Salt Lake. The water-level was low, leaving the vast bulk of the Jetty exposed in the crisp air.

Natural History

Natural History

James Benning 2014 1h 17m

In 54 static shots, Benning provides a picture of the Natural History Museum in Vienna. With the exception of the first three shots, he chooses areas that are normally closed to the public: offices, store rooms and empty corridors. A characteristically meditative Benning, even though this time he chooses to stay indoors.

Nightfall

Nightfall

James Benning 2012 1h 38m

A stunning study of real-time light changing from day to night which was filmed in a forest high up in California’s Sierra Nevada Mountains

Easy Rider

Easy Rider

James Benning 2012 1h 36m

'After doing a re-make of John Cassevetes’ "Faces" [1968], I decided to re-make another American classic, Dennis Hopper’s "Easy Rider" [1969]. "Easy Rider" interests me in two ways: its portrayal of 60’s counterculture – unlike "Faces" which for me is more about the 50’s – and its search for place.

Small Roads

Small Roads

James Benning 2011 1h 26m 10.0

Lengthy static shots of various backroads, smaller interstates, quieter roads, and lonely highways.

Ruhr

Ruhr

James Benning 2009 2h 2m

James Benning's worrying and also reassuring vision of the Ruhr Valley, shot in six fascinating takes of a tunnel, a forest, a factory, a mosque, graffiti and a chimney.

RR

RR

James Benning 2007 1h 55m

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development.

Casting a Glance

Casting a Glance

James Benning 2007 1h 20m

Casting a Glance is a tribute to the American artist Robert Smithson. Between May 15 2005 and January 14 2007, I made 16 trips to the Spiral Jetty. Created in 1970, the Jetty is a 1,500-foot long spiral-shaped jetty extending into the Great Salt Lake in Utah constructed from rocks, earth, salt and red algae.

Ten Skies

Ten Skies

James Benning 2004 1h 41m

Ten shots of skies.

13 Lakes

13 Lakes

James Benning 2004 2h 15m

Shots of 13 great lakes in the USA, with each shot containing half water and half sky or land.

Sogobi

Sogobi

James Benning 2002 1h 30m

Named after the Shoshonean word for "Earth", this is the third and final part of Benning's "California Trilogy" and his approach to the Californian wilderness in 35 static scenes.

Los

Los

James Benning 2001 1h 27m 7.0

Los Angeles is depicted in 35 stationary shots, each 2 1/2 minutes long, in this non-narrative film.

El Valley Centro

El Valley Centro

James Benning 2000 1h 27m

Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley, part 1 of his "California Trilogy". Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.

Deseret

Deseret

James Benning 1996 1h 22m

This is multifaceted look at the landscape and history of Utah (or Deseret, as the Mormon Church prefers to call it). Benning condenses 93 news stories from the New York Times from 1852 to 1992 (read offscreen by Fred Gardner) and sets them against contemporary Utah landscapes, the shots changing with each sentence.

North on Evers

North on Evers

James Benning 1992 1h 27m

In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America.

Landscape Suicide

Landscape Suicide

James Benning 1987 1h 35m

Benning continues his examination of Americana in this film through the stories of two murderers. Ed Gein was a Wisconsin farmer and multiple murderer who taxidermied his victims in the 1950s. Bernadette Protti was a California teenager who stabbed a friend to death over an insult in 1984.

One Way Boogie Woogie

One Way Boogie Woogie

James Benning 1977 1h

Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.

11 x 14

11 x 14

James Benning 1977 1h 21m

65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

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