Titles produced by
Périphéria
Éloge de l'amour
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera.
Notre musique
An indictment of modern times divided into three "kingdoms": "Enfer" ("Hell"), "Purgatoire" ("Purgatory") and "Paradis" ("Paradise").
Nouvelle vague
Composed entirely of literary quotations from many different sources and from several historical periods, the loose narrative concerns a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies, but some time later he reappears in the woman’s life looking for a job.
JLG/JLG - autoportrait de décembre
Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.
For Ever Mozart
In the face of the upheavals of contemporary history, some shy away while others step up-like Camille, Jérôme, and Djamila, who head to Sarajevo to perform Musset, or Vicky, who is trying to make her film in Paris.
Hélas pour moi
Romance about Simon Donnadieu and his decision to leave his ever-loving wife Rachel.
N'oublie pas que tu vas mourir
Benoit has planned out his life. Unfortunately he has forgotten the military duty. After he is called to duty he tries everything to get around. The story gets even worse as he is told by a military doctor that he is HIV positive.
Allemagne année 90 neuf zéro
The supremely world-weary Lemmy Caution, last seen in Godard's "Alphaville" (France/1965), has several strange encounters while trying to make his way from the former East Germany to "the west."
Deux fois cinquante ans de cinéma français
At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.