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Mohsen Makhmalbaf
Director 69 years old

Mohsen Makhmalbaf

Tehran, Iran

From Wikipedia, the free encyclopedia. Mohsen Makhmalbaf (Mohsen Mäxmälbaf, born May 29, 1957) is an Iranian film director, writer, editor, and producer. During 2007 he was the president of Asian Film Academy. Makhmalbaf's films have been widely presented in international... Read full bio →

Filmography

Every title this person appears in

6 titles
Lezate divanegi

Lezate divanegi

Hana Makhmalbaf 2004 1h 13m

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Alefbay-e afghan

Mohsen Makhmalbaf 2002 46m

Documentary showing the life of children of the Afghan villages bordering Iran, and how their life and culture were affected by Taliban regime.

Nun va Goldoon

Nun va Goldoon

Mohsen Makhmalbaf 1996 1h 18m 9.0

A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.

Il giorno della prima di Close Up

Il giorno della prima di Close Up

Nanni Moretti 1996 7m

At his cinema in Rome, the Nuovo Sacher, Nanni Moretti anxiously oversees preparations for the premiere of the film Close-up, by Iranian director Abbas Kiarostami. Meanwhile Disney's The Lion King is taking Italy by storm.

Salaam Cinema

Salaam Cinema

Mohsen Makhmalbaf 1995 1h 15m

Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.

Nema-ye Nazdik

Nema-ye Nazdik

Abbas Kiarostami 1990 1h 38m 8.8

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

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