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Hermann Thimig
Actor 1890 - 1982

Hermann Thimig

Vienna, Austria-Hungary [now Austria]

Hermann Thimig (3 October 1890 – 7 July 1982) was an Austrian actor. He had roles in just over 100 films between 1916 and 1967. He appeared in three films directed by Ernst Lubitsch and frequently played comedic roles.

Filmography

Every title this person appears in

6 titles
Der Prozeß

Der Prozeß

G.W. Pabst 1948 1h 44m

In 1882 a country girl disappears from a small Hungarian village. The inhabitants suggest that she was murdered by the Jews. Everything is done to accuse them before the trial. A study in stubbornness, racism and intolerance and how to fight against it.

Viktor und Viktoria

Viktor und Viktoria

Reinhold Schünzel 1933 1h 39m

Aspiring singer Susanne takes over one night for her sick friend, a small-time female impersonator, and finds unexpected fame when everyone believes that she is actually a man. While touring London, complications arise as a local womanizer catches on to her game.

Die 3 Groschen-Oper

Die 3 Groschen-Oper

G.W. Pabst 1931 1h 52m 9.0

In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the 'king of the beggars'.

Der verlorene Schuh

Der verlorene Schuh

Ludwig Berger 1923 50m

One of the first movies made about the fairy tale Cinderella. The film is part of the current German expressionism. Because of that the film ends up being darker than the fairy tale itself.

Die Bergkatze

Die Bergkatze

Ernst Lubitsch 1921 1h 25m 6.2

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

Die Puppe

Die Puppe

Ernst Lubitsch 1919 1h 6m 7.6

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

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