Skip to main content
Elizabeth Ashley
Actress 86 years old

Elizabeth Ashley

Ocala, Florida, USA

Elizabeth Ann Cole (born August 30, 1939), known professionally as Elizabeth Ashley, is an American actress who first came to prominence as the ingenue in the Broadway play Take Her, She's Mine, which earned her a Tony Award as Best Featured Actress in a Play.

Filmography

Every title this person appears in

16 titles
Ocean's Eight

Ocean's Eight

Gary Ross 2018 1h 51m 5.7

Debbie Ocean, a criminal mastermind, gathers a crew of female thieves to pull off the heist of the century at New York's annual Met Gala.

The Cake Eaters

The Cake Eaters

Mary Stuart Masterson 2007 1h 26m 5.3

Two families are brought together by the return of one family's son -- a reunion that conjures up old ghosts and issues that must be addressed.

Hey Arnold! The Movie

Hey Arnold! The Movie

Tuck Tucker 2002 1h 16m

Arnold and his friends must recover a stolen document in order to prevent the neighborhood from being bulldozed.

Happiness

Happiness

Todd Solondz 1998 2h 20m 7.8

Three middle-class New Jersey sisters all have their problems with their families and sex lives.

Evening Shade

Evening Shade

1990 30m

Evening Shade is an American sitcom television series that aired on CBS from 1990 to 1994. The series stars Burt Reynolds as Wood Newton, an ex-professional football player for the Pittsburgh Steelers, who returns to rural Evening Shade, Arkansas to coach a high school football team with a long losing streak.

Vampire's Kiss

Vampire's Kiss

Robert Bierman 1988 1h 44m 6.3

A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction. The vampire continues to visit and drink his blood, and as his madness deepens, it begins to look as if some of the events he's experiencing may be hallucinations.

Dragnet

Dragnet

Tom Mankiewicz 1987 1h 46m 5.1

They're so bad at being bad... but so much worse at being good!

Split Image

Split Image

Ted Kotcheff 1982 1h 51m 5.0

An impressionable young man finds himself literally enslaved by a modern-day religious cult. In an effort to bring him back to reality, the boy's parents hire a deprogrammer to kidnap him and return him to his family.

Paternity

Paternity

David Steinberg 1981 1h 34m 5.0

A single man searches for a woman who will bear his baby with no strings attached.

Windows

Windows

Gordon Willis 1980 1h 36m 6.0

Emily is the subject of a perverse obsession by a gay neighbor, Andrea, who not only is in lust with her but hires a rapist in order to get audio tapes of her moaning. Andrea turns peeping tom and watches Emily with a telescope as she begins a love affair with Detective Luffrono.

Coma

Coma

Michael Crichton 1978 1h 53m 7.1

When relatively healthy patients begin having 'complications' during simple operations and ending up in comas, a concerned doctor defies her male superiors when she suspects a secret plot.

Rancho Deluxe

Rancho Deluxe

Frank Perry 1975 1h 33m

Two drifters, of widely varying backgrounds, rustle cattle and try to avoid being caught in contemporary Montana.

92 in the Shade

92 in the Shade

Thomas McGuane 1975 1h 33m

A young drifter returns to his home in Key West, Florida and attempts to open a fishing charter business, provoking a dangerous feud with a rival fishing sea captain.

Second Chance

Second Chance

Peter Tewksbury 1972 1h 14m

A rich stockbroker buys a Nevada ghost town as a community for people who need a second chance in life.

Ship of Fools

Ship of Fools

Stanley Kramer 1965 2h 29m 7.3

Passengers on a ship traveling from Mexico to Europe in the 1930s represent society at large in that era. The crew is German, including the ship's Dr. Schumann, who falls in love with one of the passengers, La Condesa. A young American woman, Jenny, is traveling with the man she loves, David.

The Carpetbaggers

The Carpetbaggers

Edward Dmytryk 1964 2h 30m 6.0

Jonas Cord is a disagreeable young tycoon who's building planes, directing films, and catting around on the corporate make in 1930s Hollywood.

Discussion

Loading the discussion…