This was a rather silly movie. What really ruins it is numerology, into which Number 23 obviously largely bases its beliefs on. The number 23 is no more common in our world than for example number 37. They can both be withdrawn from any daily event in our lives with the help of numerology. Let's say that I ate three doughnuts just now. Then I drank water. I took seven sips before my glass was empty. Then it comes down to 37. Things like this occur by the minute. Everything can be calculated to a number you want it to be, aslong as you spent alot of time in it. True, the number 23 is far more favored by numerologists, but it is no more common than 37, 29 or even 75. The very thing Number 23 bases it's story on, also makes it ridicilous and silly. Why would a relatively sane well-living man think that the apperance of a certain number means more than the apperance than some other number? It hardly makes any sense. But that's why the novel seems like Sparrow's life. It drives him forward because it's kinda like a twisted version of his own life, or atleast that's how Sparrow sees it. I never understood how. The conclusions that the characters draw in this movie are so absurd and ridicilous that they almost make the ending of Saw seem plausible. Also, the ending twist, which is an unfortunately common thing nowadays in movies, comes about 20 minutes before the actual movie ends. I say that it is rather interesting that such a thing happens, but it looses most of it's dramatic power simply by happening far too early. You can't see it coming though, and it certainly makes sense, but the trip that the characters take to get to that end twist is so dumb and absurd in a bad way that I find it almost impossible to like.

As much as it hurts to admit it, Schumacher nailed it on the visual side here. I loved the Sin City-ish look that was present in the few great scenes that we got from the book itself. Also, it was fun to see that there is still a director out there who actually uses the whole color filter-thing with atleast some subtelty. The performances were nice, and I really enjoyed watching Jim Carrey, yet again. Especially those previously mentioned book scenes worked wonders for him. Virginia Madsen cashed in her paycheck, and so did the rest of the cast, but they still did it with a good attitude so it wasn't too bothersome to watch them. One thing that should be noted about the movies visual style were the set pieces though. They were incredibly over the top. We see large halls with nothing but a bed, rooms filled with A4s and numbers... And it all looks as realistical as Carrey's tattoo in this movie. Which means that it really goes to the fantasy-zone on the set pieces, which is fine in the book scenes, but it also does that in "real life" on occasion, which doesn't work all too well since Number 23 tries far too hard to base itself on reality, which, for a movie of this kind, is virtually impossible in the end.

Indeed, Number 23 had everything necessary to be an entertaining, linear sequence of thrills. But it failed due to the abstract nature of the story. I truly did enjoy most of the performances and direction, but I really can't get over the ridicilous script. If you can ignore the fact that Number 23 tries too hard to make itself seem realistical, you're going to enjoy it quite a bit. If you can do that, you will like it.