Also play on Twitter!

Asmodai's Reviews

Displaying Review 11 - 15 of 17 in total

  • Written by Asmodai on 15.07.2010

    Facts & Figures

    * Title: G.I. Joe: The Rise of Cobra
    * IMDB rating at time of writing: 5.8
    * Year: 2009
    * Length: 113 minutes
    * Country: United States
    * Director: Stephen Sommers
    * Producers: Lorenzo di Bonaventura, Bob Ducsay & Brian Goldner
    * Writers: Stuart Beattie, David Elliot, Paul Lovett, Michael B. Gordon, Stephen Sommers & Larry Hama
    * Cinematography: Mitchell Amundsen
    * Music: Alan Silvestri
    * Cast: Channing Tatum, Dennis Quaid, Marlon Wayans, Rachel Nichols, Arnold Vosloo, Christopher Eccleston, Ray Park, Adewale Akinnuoye-Agbaje, Saïd Taghmaoui, Joseph-Gorden Levitt, Sienna Miller, Jonathan Pryce & Byung-Hun Lee

    Plot summary (Spoiler alert!)

    The movie starts somewhere in the middle ages, where James McCullen is punished for selling weapons to rebels. He is given a metal mask, which is burnt to his face.
    In the near future, a descendant of James McCullen (Christopher Eccleston) is also in the weapons trade, and has developed a weapon based on nanomites. These microscopic robots eat through metals at a phenomenal rate, and one warhead loaded with nanomites is capable of destroying an entire city. NATO buys four of the nanomite-loaded warheads and a team, led by Duke (played by Channing Tatum) and his friend Ripcord (Marlon Wayans) are sent to escort the weapons from the MARS-facility to the closest NATO base. Their convoy is, naturally, ambushed by a group of highly-trained and well-armed men, led by The Baroness, whom Duke recognises as his former fiancee Ana (Sienna Miller). At the last moment the warheads, Duke and Ripcord are saved by members of GI Joe: The beautiful Scarlett (Rachel Nichols), the silent yet deadly ninja Snake Eyes (Ray Park), the communications expert Breaker (Saïd Taghmaoui) and the explosives expert Heavy Duty (Adewale Akinnuoye-Agbaje). The weapons, Duke and Ripcord are taken by the GI Joe team to their command center in Egypt, called "The Pit", where GI Joe commander General Hawk (Dennis Quaid) takes over the weapons and gets convinced to train the duo for GI Joe.

    It is revealed that McCullen, helped by the mysterious masked man known only as "The Doctor", uses nanomites to change soldiers to unstoppable killing machines, who have no fear and who are harder to kill than any other, due to the nanomites repairing any damage to the body. He plans to steal back the warheads, having acquired the location of the Pit by using a tracker that was hidden in the case, and use them to spread panic and take control of the world (Of Course!). He sends the Baroness, the ninja Storm Shadow (Byung-Hun Lee) and the mysterious Zartan (Arnold Vosloo) to attack the Pit and take back the weapons. At first the attack goes well, with gen. Hawk disabled, but soon the G.I. Joe teams start fighting back, forcing Storm Shadow and the Baroness to escape with a jet pack, and Zartan to quietly withdraw, disguised as a camel herder.

    The Cobra-team smuggles the warheads to Paris, where they want to use a particle accelerator (in a lab owned by the Baroness' husband), to weaponize the nanomites. The Joe's try to stop them with a high-speed pursued through Paris, but are unable to stop one of the warheads being fired at the Eiffel tower. The Tower is destroyed, but Duke manages to hit the kill-switch of the weapon, which allows him to be captured and to be taken to McCullen's base in the Arctic.

    Throughout this, there are occasional flashbacks to the youth of Storm Shadow and Snake Eyes, who grew up together and were trained in martial arts from early on in their lives. Their master always favored Snake Eyes, which caused Storm Shadow to be jealous and kill their master. Upon discovering this, Snake Eyes took a vow of silence until he could get revenge by killing Storm Shadow.

    The Joe's manage to locate the secret Cobra-base and fly there against orders, where they find out that McCullen has loaded three ballistic missiles with nanomite warheads, which he plans to use against Bejing, Moscow and Washington DC. Snake Eyes manages to take the Bejing one out, but Moscow and Washington fly off at high speed. Ripcord quickly flies off in a stolen prototype jet, while Scarlett, Breaker and Snake Eyes infiltrate the base. Snake Eyes encounters Storm Shadow and manages to kill him after a fight. Guided by Scarlett, Ripcord destroys the missile headed to Moscow and pursuits the Washington one. He misses it, but decides to use his plane as a net to catch all nanomites and take them up into the upper atmosphere, where the thin air will deactive them. Inside the base, Duke learns that the Doctor is actually Rex Lewis, the brother of Ana/The Baroness, who was a member of Duke's squad and believed killed in an airstrike. The explosion merely disfigured him, and he was saved by Dr. Mindbender and taught everything about nanomites. In the end, his madness about being left behind made him implant his own sister with nanomites, to put her under his control, which created The Baroness out of Ana Lewis. The Baroness manages to break through the mind control to save Duke, by which McCullen gets burned by his own flamethrower when trying to kill Duke, causing him and The Doctor to flee in an escape submarine. The Doctor triggers a self-destruct sequence, by which tons of polar ice fall on the base, destroying it. Duke and Ana, back to herself, follow them in a stolen submarine.

    Inside the submarine, The Doctor takes on the title of Cobra Commander and uses nanomites to heal McCullen's face, this also causes him to fall under the Doctor's control and gets him the new name of Destro. They are quickly captured by GI Joe after this, and are detained in a high security prison. The Baroness is placed in protective custody until all the nanomites can be removed.

    In an epilogue, the American President (Jonathan Pryce), gets ambushed by Cobra agent and his identity is assumed by Zartan, having his appearance changed by nanomites, but not his identity taken over.

    Review

    G.I. Joe will be a name well known to many of a certain age, as it was a huge franchise of action figures made by Hasbro, which started back in the '60's. This was all, however, before I came around, so I won't ramble about this. I will ramble about the movie: G.I. Joe: The Rise of Cobra. This action movie was written out of storylines that were part of the action figures, and features an ensemble cast with, among others, Channing Tatum, Dennis Quaid, Sienna Miller and Christopher Eccleston.

    This is a typical action movie, intended to be watched by groups of friends with a beer and a bucket of popcorn. The storylines are easy and short and the lots of action scenes are expensive with lots of effects. Therein also lies the major problem with this movie: it is pure action-intended. Nobody cares about who is related to who, so don't put it in the movie! Either you make a straight action movie with lots of effects and a thin storyline, and you write it as one, OR you make a movie about friendship, teamwork and anger, and put some action moments in it. This movie tried to be both, but failed at both. For a straight action movie the storylines and plot-twists (which are more like plot-roundabouts) are too complicated and confusing, they are added at random moments in the movie and have no point. Especially the whole Snake Eyes/Storm Shadow relationship in flashbacks is pointless and confusing. For a team/buddy-movie, the storylines are too confusing and too random. It is like this movie was written, but somebody came by for a cup of coffee, saw that it was about various people with no relationship to each other and decided to rewrite a few scenes, without having seen the full script.

    The effects and action sequences of this movie are quite good, but can be a bit too fast and blurry, which makes it looks as if the budget for effects was gone so they just sped it up and hoped nobody noticed. It is also a pity that a lot of potential great action scenes are not written: one of the characters is an explosive expert, but spends his life in subs, driving vans and looking mean as some sort of a Mr. T fanboy.

    The movie does try, but it needs more. More budget, more action and mostly more experience in direction. editing and writing. The actors all do their thing: Marlon Wayans is an unfunny funny guy with an accent who is after the ladies, Dennis Quaid is a stern general with a soft heart, Ray Park waves with various swords, Christopher Eccleston talks with a big accent, Arnold Vosloo is untrustworthy and Michael Pryce plays a civilised gentleman in a suit. The performance that I liked best, however, was Sienna Miller. She manages to avoid being typecasted and is clearly having fun playing the bad girl in an action movie. I wouldn't mind seeing more of her in parts like this.

    Conclusions

    A decent popcorn movie, but I wouldn't watch it more than one or two times. The effects are nice, but the story is just weak and over the top, the plot twists are predictable and boring and the action moments are too long and not convincing. For an action popcorn-movie it's 2½ out of 5 stars for me, because it DOES try to be entertaining and somewhat refreshing to the action genre. It is, however, still way more entertaining than Transformers II, which came out round the same time and was meant for the same audiences. I fear for the sequel.

  • Written by Asmodai on 18.07.2010

    Facts & Figures

    * Title: GoldenEye
    * IMDB rating at time of writing: 7.2
    * Year: 1995
    * Length: 124 minutes
    * Country: United Kingdom
    * Director: Martin Campbell
    * Producers: Michael G. Wilson & Barbara Broccoli
    * Writers: Michael France, Jeffrey Caine, & Bruce Feirstein
    * Cinematography: Phil Meheux
    * Music: Éric Serra
    * Cast: Pierce Brosnan, Sean Bean, Izabella Scorupco, Joe Don Baker, Famke Janssen, Judi Dench, Gottfried John, Robbie Coltrone & Alan Cumming

    Plot summary (Spoiler alert!)

    It’s 1986, the cold war. British spy James “007″ Bond (Brosnan) and Alec “006″ Trevelyan (Bean) infiltrate a Soviet chemical weapons plant to blow it up. Their mission goes wrong and 006 is captured and killed by colonel Ouromov (John), but Bond manages to escape from the exploding plant by stealing a plane.

    Nine years later; The cold war has ended and James Bond is taking a drive in the French countryside, while his performance is being reviewed by Miss Moneypenny (Samantha Bond), when he is suddenly taken over by an expensive Ferrari, driven by a beautiful woman. James starts the pursuit and plays chase with the mysterious woman, untill he is forced to stop. Later that night, Bond arrives at a casino in Monte Carlo, where he again meets the mysterious woman. Having seen the fake plates on her car, and seeing her company (an elderly Canadian Admiral) he follows them and has her identified as Xenia Onatopp (Janssen), a former Soviet pilot with ties to the criminal organisation known as the Janus group. Later, Onatopp is seen murdering the admiral during sex, allowing a mysterious person to steal his identity papers.

    The next day, a prototype of a new armored helicopter, capable of withstanding electromagnetic interference, is being demonstrated in the harbor of Monte Carlo. Even though Bond tries to stop them, Onatopp and an associate kill the real pilots and manage to fly off with the prototype, disappearing over the sea.

    At a secret bunker in Severnaya, space weapons from the Soviet era are still being maintained and tested. This is the home base of the weapon code-named “Goldeneye”, a sattelite containing a nuclear warhead, that can explode in space over a target area and create an electromagnetic pulse (EMP), which will destroy all electric devices in a 30 mile radius. At the site, Ouromov (now a general) and Onatopp arrive in the stolen helicopter. They massacre the staff, with the exception of programmer Simonova (Scorupco), who is hiding in a cupboard, and programmer Boris Grishenko (Cumming) who is out smoking, and set off one of the Goldeneye weapons, taking the access codes for the second satelite with them. The blast also takes out an air force patrol of three migs, which crash into the facility, causing an explosion that destroys the compound.

    Bond and his superior M (Dench), watching via sattelite, see Simonova climbing out of the radar dish, and they figure out that the Goldeneye weapon is a real threat, which has to be stopped, causing Bond to be dispatched to St. Petersberg to face his long-time opponent Ouromov again. Simonova is seen contacting Boris, who betrays her to Janus.

    007 meets with the CIA agent in charge in St. Petersberg, Jack Wade (Baker), who helps him contat the Janus competition, Valentin Zukovsky (Coltrane), who arranges a meeting between Bond and Janus. At his hotel, Bond is ambushed by Onatopp, who tries to kill him using her lethal hips, but he manages to subdue her and forces her to drive him to Janus. Arriving at a junkyard, Bond is shocked to discover that Janus is actually Alec Trevalyan, who faked his own death so he can take revenge on the British government, who betrayed his parents to their death at the communists. Bond is taken out and tied up with Simonova in the stolen helicopter, which is programmed to self destruct, but the pair manages to escape using the ejection system. Before they can run off, however, the police arrives and the two are arrested.

    In a military building in St. Petersberg, Bond and Simonova are being interrogated by the Russian defence minister Mishkin, who quickly finds out that Ouromov is responsible for the stolen weapon and the destruction of the Severnaya facility. Ouromov bursts into the room, killing the minister and trying to frame Bond for the murder. In a massive firefight in the archives of the building, Bond manages to escape but Simonova is dragged off and taken into a car. 007, being his usual woman-saving self, follows in a stolen tank, driving through downtown St. Petersberg, creating havoc by destroying several buildings and disrupting traffic. Just missing the armoured train that Janus uses as a headquarters, he blocks the tracks with the tank, managing to derail it and killing Ouromov in the progress. Alec and Onatopp manage to escape, locking our good guy and girl in the train with a self-destruct sequence counting down. Bond cuts through the floor with a laser hidden in his wristwatch, while Simonova uses a computer to hack into Boris’ system to locate the Janus sattelite dish in Cuba. The two manage to escape just as the train explodes.

    Arriving in Cuba, Bond trades his car with Wade’s aircraft, which they use to fly over the jungle to locate the sattelite dish’s exact location. While flying over a lake, they are shot down and lose consciousness. Bond wakes up to see Onatopp rapelling down from a helicopter, and a brief fight ensues, which ends with Bond taking down the chopper and killing Onatopp. Knowing they are now near the hidden base, Bond and Simonova watch the lake being drained of water, uncovering a giant sattelite dish. They infiltrate the facility, where Bond starts sabotaging a tank filled with fuel, but are captured before any explosives could be set.

    As all evil geniuses before him, Alec, believing he has won, reveals his plan to steal all money from the Bank of England, before using the remaining Goldeneye over London, which would destroy all financial records, concealing the theft. Simonova managed to reprogram the sattelite, though, causing it to start reentry where it would be destroyed due to friction. While Boris is frantically trying to break through Simonova’s codes, Bond uses the tension to throw a grenade (disguised as a ballpoint) in the lake of fuel, flowing from the sabotaged tanks, creating an explosion and managing to escape in the chaos. They enter the antenna dish, where 007 sabotages the antenna and throws Trevelyan off the transmitter, paralyising him. Simonova has commandeered a helicopter, and flies off to save Bond. Boris survives the initial explosion of the site, but is frozen by some exploding vats of liquid nitrogen. Marines arrive with Wade, who save Bond and Simonova and take them off to Guantanamo Bay.

    Review

    This Bond is the first one starring Pierce Brosnan as our hero. He takes on a less serious character, with the occasional joke and (bad) pun. The bond-girls are played by Famke Janssen as the fiesty one and Izabella Scorupco as the innocent one, while the main antagonist is played by Sean Bean. M, the person in charge of MI6, is now being portreyed by Judi Dench as the first woman. The actors all do a decent job; some over the top while others play it calm, but all manage to portray their personalities without too much fuss, which is what you want and expect in a Bond movie. Bond himself is as we know him: an alcoholic killer with a soft spot for women and gamling, who likes his toys.

    GoldenEye is the first Bond movie which is set after the fall of the Soviet Union, which created new difficulties but also new options for the writers. They manage to keep these events in the storyline, maybe even letting the story be caused by the fall, but don’t dwell on it too much. The script itself is simple, just as we want for a Bond: a basic storyline, two girls (one good, one bad), a generic bad guy and some other Characters with a capital C. The main problem in the script lies with the premesis of the story: a sattelite thingie which causes electromamatic whatsit so some nazi-english-russian-soviet-cossack guy who is dead can steal a lot of money and hide it…? Please, next time keep it simpler: some criminal organisation stealing either a lot of money to buy weapons, or stealing weapons to get a lot of money. Throw in a girl or two, some fancy gizmo’s, a casino with booze and you have your basic Bond.

    This is the first Bond which made use of CGI-effects, next to models and sets. This is absolutely visible, but not always in a bad way. Yes, you can see that the effects are effects, but it doesn’t get in the way of a fun viewing experience. The lighting and cinematography of the film ranges from plain good to sometimes amazing, the sound is okay and the score, be it a departure from the regular Bond theme, doesn’t distract either and is sometimes even catchy. Technically, this is a good movie; not a great one, but just good. Nothing stops you from having a lot of fun watching, and a lot helps you.

    Because this is a Bond movie, we expect two things: hot women and fancy gizmo’s. Unfortunately, this movie lacks in both departments. The girls, as happens more often, are twofold: first there is the sexy black-haired woman, who uses her hips to kill men during sex and tries to kill Bond, but not before having some fun with it. Second, the innocent and weak foreign girl, who manages to kick out some action in the end after all. Janssen’s performance is ok, she looks like the kind of girl who wants to tie you down and have her way with you, but Scorupco just doesn’t convince at all; she really comes over as some foreign woman with a badly practiced accent from another foreign country, reading her lines and looking cute.
    The second part we want are fancy toys and deadly weapons disguised as everyday objects, unfortunately, this also disappoints. The only true gizmo that is seen in action is the grenade-ballpoint, which creates some tension but then explodes (as it should, because it is a grenade). The bondcar, a (baby blue) BMW z3 convertible, is only seen in one second unit shot and doesn’t show any of the gadgets Q lovingly installed in it. Even Bond’s personal car, the silver DB-5 used in Goldfinger and Thunderball, gets more screentime and more action, racing against Onatopp’s Ferrari F355.

    Conclusions

    Even though it has many flaws, this Bond is one of my favorites; it brings back the fun which had disappeared in Moore’s movies and was completely gone when Dalton took the role. The action is fun, original and plenty, the characters are over the top and Bond is Bond: sophisticated but ruthless, with a bit of cynism in every sentence. Brosnan still played the part fresh in this and Tomorrow Never Dies, before losing his spirit in the boring The World is Not Enough and the horrible Die Another Day.

  • Written by Asmodai on 09.09.2010

    Facts & Figures
    * Title: Salò o le 120 Giornate di Sodoma
    * English Title: Salo, or the 120 Days of Sodom
    * IMDB rating at time of writing: 6.1
    * Year: 1975
    * Length: 114 minutes
    * Country: Italy
    * Director: Pier Paolo Pasolini
    * Producer: Alberto Grimaldi
    * Writers: Pier Paolo Pasolini, Sergio Citti, Pupi Avati (uncredited), Marquis de Sade (book)
    * Cinematography: Tonino delli Colli
    * Music: Ennio Morricone
    * Cast: Paolo Bonacelli, Giorgio Cataldi, Umberto Paolo, Quintavella, Aldo Valletti, Caterina Boratto, Elsa de Giorgio, Hélène Surgère & Sonia Saviange

    Plot summary (Spoiler alert!)
    Fascist Italy, 1944. Four powerful men (a duke, a bishop, the local magistrate and the president) agree to a perverted scheme, in which they first marry each other’s daughters and then kidnap 9 young men and 9 young women, who they take to a mansion. They hire four middle-aged women, former prostitutes, who are ordered to recount erotic stories from their past to the men and their new-stolen slaves.
    The film follows these men, women and their slaves through the 120 days in their palace, where the men of power physically and mentally torture, rape and humiliate their slaves. This is portrayed in four parts: Anti-inferno, Circle of Manias, Circle of Shit and Circle of Blood, which are presumably inspired by Dante’s Inferno.

    In Anti-Inferno the captures and kidnappings of the victims are show, followed by their examinations by the four. Sequence two, the Circle of Manias portrays one of the prostitutes telling erotic stories from her past, going from normal sexual behaviour to scatophilic tales. During and in between these stories, the slaves are humiliated, raped, sodomised and tortured. As the movie goes on, the sequences start becoming more disturbing. In the Circle of Shit, there are scenes showing a young woman forced to eat the Duke’s feces, and later on, all the victims are presented a meal consisting of only human shit.
    The last part of the movie, the Circle of Blood, starts with a wedding between the guards and the men of power, followed by more homosexual rape scenes. Later one, when the bishop discovers a girl hiding a photograph, the slaves start betraying each other’s secrets. This series of betrayals ends with the discovery of a relationship between one of the guards and a black servant girl, who both end up getting shot by the men of power.
    The movie ends with the victims who did not fully worship their masters getting tortured and mordered in gruesome ways: scalping, branding, having their tongues and eyes cut out, burning and hanging. During this slaughter, the kidnappers take it in turns to watch.
    The movie ends with two soldiers, who saw and even helped in the atrocities, dancing a waltz.

    Review
    First of all, this is one of the most disturbing movies I have seen and probably will see. Most people will be shocked by this movie, and I can very well understand if people stop watching it. Now you may ask: “Is it really that bad? I saw *insert random slasher teen movie*!”. My answer is: Yes, it really is that bad. The movie portrays, in detail, people forced to eat feces, eyes cutting out, tongues cut off, breasts burnt with a candle and a series of rape scenes.
    Disturbed though he may have been, the director of this movie clearly knows what he is doing: this film has some stunningly shot sequences, with beautiful contrast. The mansion where all the atrocities happen is situated in northern Italy, where the grass is green and the water is blue. The set-up of each scene is a delight to the eye, with sometimes stunning background and set-decorating.
    The story itself is filmed in a linear way, it is easy to follow what happens (although the why will be more difficult to figure out, but more on this later). The four parts of the movie each get more perverted. Part one shows simple kidnapping and murder, while part two goes to rape, part three to sadistic torture and the film ends with physical torture and gruesome, gory murder.
    It is clear that the director wants to show the sick things a human mind can do, especially when the person doing the things has all the power. When these men of power combine their resources, there is basically nobody in the country with enough power to do something about it, together they represent the local government, the national government, the church and the aristocracy.

    I have had the fortune of finding a remastered version of this DVD, because the original edition isn’t too great a quality, while the remastered version has a hugely improved contrast, color-brightness and just is way less gritty.

    Conclusions
    First of all, I sincerely hope nobody will watch this movie for their own pleasure. It is however a work of art and for the true cinematic lover, I can recommend seeing at least once, if only for the experience. Don’t watch this lightly, however, I suggest not starting it before dinner or as a good popcorn movie to watch with friends.

    I gave this movie 6 stars because, although it is clearly shot as a great work of art, its content makes it impossible to enjoy it as such. If the movie would be about a lighter subject, it could have easily reached 8 or 9 stars. When I have time, I will surely try other films of this director.

  • Written by Asmodai on 14.09.2010

    Facts & Figures

    * Title: Time Bandits
    * IMDB rating at time of writing: 6.9
    * Year: 1981
    * Length: 116 minutes
    * Country: United Kingdom
    * Director: Terry Gilliam
    * Producer: Terry Gilliam, George Harrison, Denis O’Brien
    * Writers: Terry Gilliam, Michael Palin
    * Cinematography: Peter Biziou
    * Music: Mike Moran, George Harrison
    * Cast: Craig Warnock, David Rappaport, Kenny Baker, David Warner, Michael Palin, Shelly Duvall, John Cleese, Sean Connery, Ian Holm, Ralph Richardson

    Plot summary (Spoiler alert!)

    Kevin, an 11 year old boy with a passion for history, is being ignored by his parents, who prefer to invest time in all the latest technologies to stay ahead of their neighbours. One night in bed, Kevin wakes from his sleep to find a medieval knight running through his bedroom on horseback, and running away through a forest that has appeared in one of the walls. The next night, Kevin comes prepared and brings a polaroid camera to take snapshots of any other weird events. This time, however, six little people stumble out of his wardrobe holding a map of some kind. After a brief discussion about a supreme being following them, they create an exit by pushing through a wall, creating a hallway. Kevin joins the midgets, but after a while the Supreme Being shows up and pursues, causing Kevin and the dwarfs to run and, at the end of the hallway, fall in a chasm into the black void.

    When Kevin and the midgets arrive in 19th century France, the boy learns that the dwarfs were employees of the Supreme Being, but stole a map of space and time, which they use to travel through time and steal treasures. They are also being watched by a character known as Evil, who wants the map for himself so he can change the universe. In France, they manage to meet Napoleon, become his most trusted generals and run off with his treasures, escaping through another time portal and ending up in the time of Robin Hood. When they meet him and the merry-men, all the treasure is taken from them and distributed among the poor. Having to steal a new treasure, Kevin gets split up from the crimilittle and ends up in ancient Greece, where he witnesses a fight between the legendary king Agamemnon and a minotaur. Saving the king’s life, Kevin is taken home with him and adopted as a fresh prince, but during the festivities, the midgets show up again, steal the treasures and take Kevin with them through a time portal. This time they end up on some luxury ocean liner, named Titanic. To all surprises, the ship sinks, forcing everyone to take another trip, this time to the main goal of the little ones: The Most Fabulous Object In The World. The only problem is that this treasure is located inside the Evil’s Fortress Of Ultimate Darkness!

    The treasure turns out to be a trap set by Evil, allowing him to steal the map, trapping the dwarfs in a cage hanging over a void. The group, however, manages to use a photograph of the map, that Kevin had taken earlier, to escape and bring military equipment from all era’s to fight Evil. The sorcerer, unfortunately, easily beats all these tricks, but just when he is about to unleash his full powers on the defenseless tiny ones, the Supreme Being arrives, turning Evil into smoldering coal. The dwarfs apologize to their creator, who tells them that the whole adventure was part of his plan, letting him defeat Evil forever. During the cleaning of the remains of Evil, a small piece of concentrated Evil remains. Kevin is left behind, when the Supreme Being and the dwarfs disappear, and loses consciousness when he finds the piece of concentrated Evil. He wakes up in his bed, filled with smoke, and is saved by a firefighter. A toaster is found, holding the charred piece of evil, and Kevin’s parents touch it, wondering what it is, causing them both to explode. As the firefighters leave, Kevin recognizes one of them to be Agamemnon. The movie ends with our boy discovering the snapshots he took on his travels still in his satchel, standing on his own before his burnt house.

    Review

    Although this movie is one of the earliest examples of Gilliam’s post-Python career, it is still easy to distinguish his uniquely creative and somewhat chaotic style of movie making. This is already visible in the choosing of little people as his main cast, in an interview Gilliam explains how he wanted his main person to be a kid, but not to be alone. A group of kids wouldn’t fit storywise, adults or other creatures would make the film more difficult to shoot, because of camera angles, so therefore midgets.
    The story, written together with fellow Python Michael Palin, although somewhat chaotic, is easy to follow, yet pure fantasy. There are many great jokes and tiny details in it, such as two characters (Michael Palin and Shelly Duvall) who appear as a couple in every timezone. The cast is superb, Gilliam having casted some of his former Python colleagues, as well as great names such as Sean Connery and Ian Holm, all do their job excellent. I myself love the performance of Ralph Richardson as the Supreme Being and David Warner as Evil most of all.
    Considering the budget and the time of this movie, the effects and visuals are awesome, much more organic and “real” than all the tubes and wires from Brazil and 12 Monkeys.

    The DVD itself comes with a nice interview with Gilliam from 2008, filled with interesting anecdotes about how he won the battle for the ending (the studio insisted on a different ending) because the sound during a testshoot failed and everybody filled in that they loved the ending on the comment cards (because they could go home afterwards).

    Conclusions

    Great entertainment, a funny and still exciting movie. Whether you call it a kid’s movie for adults or an adult movie for kids, fact is that it is pure Gilliam: Creative, chaotic and good for all audiences. If there is one flaw with this movie, it’s the fact that it is an old Gilliam, some people don’t really enjoy those movies, just because they are for all and it’s not exciting enough for them, or the effects aren’t full CGI, which you expect in a fantasy film. I must say, I can see where they are coming from (even though I don’t fully agree with them).

  • Written by Asmodai on 25.09.2010

    Facts & Figures
    * Title: Memento
    * IMDB rating at time of writing: 8.7
    * Year: 2000
    * Length: 113 minutes
    * Country: United States
    * Director: Christopher Nolan
    * Producer: Jennifer Todd, Suzanne Todd
    * Writers: Christopher Nolan, Jonathan Nolan
    * Cinematography: Wally Pfister
    * Music: David Julyan
    * Cast: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Stephen Tobolowsky, Harriet Sansom Harris, Jorja Fox

    Plot summary (Spoiler alert!)

    Because of the non-linear storytelling of this film, I will summarize per scene. This movie alternates between black and white scenes that go forward in time, from the past to the center of the movie, and colored scenes that start at the ending of the story and go back to the center of the movie. This way the whole movie is told, just in a different order.

    1. This scene runs backwards altogether, starting with a man looking at a polaroid of a bloody room, followed by bullet casings getting into his gun and ends with him shooting his victim in the head.
    2. A man wakes up in a hotel room he does not recognize, and tries to figure out where he is and why he’s there.
    3. The man, who is named Leonard, is picked up from his hotel by a guy with glasses. We learn that Leonard has a handicap with his memory, but what exactly is still unclear. They drive to a building, but Leonard has forgotten why, but during the drive Leonard notices that the window of his car is broken. When they arrive at the building, they find an abandoned car next to it. Inside the building Leonard finds a polaroid of the man with glasses, apparently named Teddy, in his jacket, saying that “He is the one. Kill him”. The scene ends with Leonard shooting Teddy in the head, which is also the first/last shot of scene number one.
    4. Leonard goes through the hotel room, and notices a tattoo on his wrist, telling him to remember Sammy Jankis, who apparently had the same problem but no system to make it work. Leonard also sees a piece of paper stuck to his leg, telling him to shave his thigh.
    5. Leonard writes the text on the polaroid, telling himself to kill Teddy. He gets a gun and leaves his motel room, but stops at the lobby where he explains his condition to the man at the desk (and to the audience). He suffers from a condition which prevents him from making new memories, causing him to have a short-term memory of mere minutes, after which he forgets everything. He leaves the motel with Teddy, as in scene 3.
    6. Leonard walks through his hotel room, while his voice-over explains how he makes his condition workable using notes, but for important information tattoos might work better. The phone rings and Leonard picks up.
    7. Leonard comes from a bathroom and finds himself in a diner, which he leaves with keys, a picture of a motel-sign and an envelope. He drives to the motel on the picture, the Discount Inn, and enters a room. In the room, one wall is covered with notes and pictures. The envelope, which reads “To Leonard, from Natalie” is opened, and contains a copy of Teddy’s drivers license, but the name on it is John Edward Gammell. The polaroid of Teddy says “Don’t believe his lies.”. Leonard calls the phone number on the picture, and Teddy answers to tell him he’ll be right over. Leonard undresses for a shower and the audience sees his body is covered in tattoos, containing “Facts”. These facts apparently describe a white man, first name John or James, last name starting with G, who is a drugs dealer with a certain license plate. Leonard confirms that this information is about Teddy, and writes on his polaroid to kill Teddy.
    8. Leonard is on the phone and starts to tell us about Sammy, when he looks in the mirror the audience sees a tattoo saying “John G. raped and murdered my wife.”.
    9. Leonard enters the diner and talks to a woman named Natalie, who has a black eye and a split lip, where is he handed the envelope. The conversation starts to be about Leonard’s wife, and we see a flashback of her.
    10. The phone conversation continues, in which Leonard tells us he used to work for an insurance agency, checking to see if claims were valid. This is where he met Sammy, as his first big challenge.
    11. Leonard wants to start a car, but is stopped by Teddy, who buys him lunch and they talk about how reliable memories are. Lenny gets back to his motel, where he discovers that he is being ripped off by the manager, who managed to rent him two different rooms (since he’d forget anyways). Leonard finds a note in his pocket, telling him to meet Natalie for information, causing him to drive to the diner.
    12. The story goes on about Sammy, who got into a car accident and got the same condition as Leonard: he’d forget any new information within minutes. The insurance sends in Leonard, to discover is Sammy is faking it or if the insurance has to pay up. We are also introduced to Sammy’s wife, who suffers from diabetes and needs regular insulin shots from Sammy.
    13. Leonard wakes up in a strange bed next to a woman, in which we recognize Natalie. The scene ends with a conversation on memories, and Natalie kissing Lenny, after which Leonard leaves and enters his car.
    14. Leonard tests Sammy’s response to conditioning, which should work if the problem was physical, unfortunately Sammy fails the test.
    15. Natalie opens the door to Leonard, who is clearly angry and shows a picture of a bloody guy called Dodd. Natalie explains how Dodd was her problem and how Leonard offered to help. Leonard explains the difference between remembering and knowing things, and the couple ends up in bed together.
    16. Because conditioning didn’t work on Sammy, he also couldn’t get a system to make his problem bearable, like Leonard has.
    17. Leonard wakes in a motel room and discovers a gun in the bedside drawer and a bloodied guy in the closet (Dodd). Teddy shows up and helps with dumping Dodd outside the city, telling him to never come back.
    18. Sammy’s wife is shown getting more desperate to help the poor guy with his problem.
    19. Leonard is sitting in a bathroom, with a bottle of whiskey, but he doesn’t feel drunk. He gets under the shower and finds a strange man in the room, which he hits with the bottle and puts in the closet. He calls Teddy to come help him.
    20. Leonard ends the conversation on the phone, and is shown building a needle to tattoo himself with.
    21. Leonard is running, being followed by some guy shooting at him. He gets in the car and escapes, but finds a note in the car with Dodd’s address, where he goes and ambushes some poor guy because he got the wrong house number. After this mistake he finds the right room, enters and hides in the shower with a bottle of whiskey as a weapon.
    22. Using the home-made needle, Leonard tattoos fact nr. 5 on his leg: Has access to drugs.
    23. It is dawn and Leonard drives off from some abandoned industry park, visibly tired. He is stopped by a man, who threatens him with a gun, shoots the window of his car and runs off after Leonard.
    24. The phone rings again.
    25. At night, Leonard drives to an abandoned area, builds a fire and is shown burning memorabilia of his wife, trying to get more memories of her. He wonders how much times he tried this before.
    26. The mysterious person on the phone tells Leonard something about drugs, which helps in his investigation.
    27. Leonard wakes up to find a woman doing drugs in his toilet, he kicks her out, gets some items from around the room and walks to his car.
    28. More discussion about drugs and Leonard concludes that the murderer is a drug dealer.
    29. Leonard is shown ordering a callgirl, who is ordered to wait until he is asleep, smash the door loud enough to wake him up and spread some random items round the room.
    30. We are told how Sammy’s wife meets Leonard, asking for help to solve his condition, but she only hears that his condition is emotional, not physical.
    31. Teddy tells Leonard not to trust Natalie, but Leonard uses a different handwriting than his usual one. When Teddy leaves again, Leonard crosses out the warning and reads Teddy’s polaroid which tells him not to believe his lies.
    32. Leonard’s next tattoo says never to answer the phone, he becomes suspicious and ends the conversation.
    33. Leonard is frantically looking for a pen to write something down, when Natalie walks in with a busted lip and a black eye, telling Leonard Dodd did it because of Teddy.
    34. The phone rings, but Leonard won’t pick up and leaves orders at the front desk to not put through any more calls.
    35. Natalie gets in, angry and it gets clear that she is only using Leonard to get rid off Dodd. She keeps insulting him, until he slaps her around. After this she walks out, but since she hid all pens before she came in, Leonard can’t write it down in time to forget this happened.
    36. The desk clerk shows up, telling Leonard that a cop is calling.
    37. Natalie invites Leonard in, and Leonard tells us how he woke up to find his wife getting raped by two men. He shoots one, but the other manages to bash his head in and run off. The police didn’t believe there was a second guy and he has been looking for him since.
    38. A note is pushed under the door, telling Leonard to answer the phone. Together with it comes a picture of him, covered in blood, but smiling.
    39. Natalie, working as a barmaid, gives Leonard a beer on the house. They talk about his condition, and she offers him a fresh beer.
    40. Leonard finally picks up, but he is clearly stressed and demands to know who it is and why he’s calling.
    41. Our guy enters a bar, where Natalie is working, who tells him that a cop called about him and his condition, she also asks about someone named Jimmy and Teddy. Natalie draws a beer, telling all people in the bar to spit in it, for luck, and sets it aside.
    42. We hear that after Sammy’s wife talked to Leonard, she went home and told Sammy multiple times that it was time for her insulin shot, in the hope that he would remember she already had one. She never recovered.
    43. Leonard has fact 6 tattood (a car licence number), when Teddy walks in telling him that he’s an informer for the police and warning that a drugsdealer named Jimmy is after him. Leonard drives to the bar, where he is stopped by Natalie who calls him Jimmy.
    44. The conversation turned towards Jimmy (Jimmy G, from the tattoo), who apparently is a drugsdealer. Leonard and the cop on the phone say they’ll meet in the lobby, where Teddy shows up (who is apparently the cop in question). Leonard is given some directions, after which he gets in an old truck and drives to an abandoned building (the one from scene 3), where Jimmy arrives (in the car Leonard has been driving all through the movie). Leonard, believing Jimmy was his wife’s murderer, kills the man. The scene switches color, but goes on, indicating that we have reached the crossing of the storylines.
    45. Leonard changes into Jimmy’s suit and hides the body, when Teddy walks in. Teddy explains that he has been helping Leonard for several times, looking for the real murderer first, which Leonard killed, but forgot. After this they have been hunting down the killer over and over again. He also tells that Leonard was the one who gave his wife the overdose of insulin, after her so-called “murder”, not Sammy. This causes Leonard to put “Don’t believe his lies” on Teddy’s polaroid and writing down Teddy’s licence plate, hoping he would hunt the liar down next time. Leonard gets in Jimmy’s Jaguar and drives off to a tattoo shop, ending the movie.

    Plot Summary, chronological order (Still contains spoilers!)

    A man wakes up in a hotel room he does not recognize, and tries to figure out where he is and why he’s there. He goes through the hotel room, and notices a tattoo on his wrist, telling him to remember Sammy Jankis, and he also sees a piece of paper stuck to his leg, telling him to shave his thigh. A voice-over explains how he makes his condition workable using notes, but for important information tattoos might work better. The phone rings and the man picks up and starts to tell us about someone named Sammy, but when he looks in the mirror the audience sees a tattoo saying “John G. raped and murdered my wife.”. The phone conversation continues, in which the man tells us he used to work for an insurance agency, checking to see if claims were valid. This is where he met Sammy, as his first big challenge. The story goes on about Sammy, who got into a car accident and got the same condition as Leonard: he’d forget any new information within minutes. The insurance sends in Leonard, to discover if Sammy is faking it or if the insurance has to pay up. We are also introduced to Sammy’s wife, who suffers from diabetes and needs regular insulin shots from Sammy. Leonard tests Sammy’s response to conditioning and the forming of reflexes, which should work if the problem was physical, but unfortunately he fails the test. Because conditioning didn’t work on Sammy, he also couldn’t get a system to make his problem bearable, like Leonard has. Sammy’s wife is shown getting more desperate to help the poor guy with his problem. Leonard ends the conversation on the phone, and is shown building a needle to tattoo himself with. Using the home-made needle, Leonard tattoos fact nr. 5 on his leg: Has access to drugs. The phone rings again and the mysterious person on the phone tells Leonard something about drugs, which helps in his investigation. Leonard concludes that the murderer is a drug dealer.
    We are told how Sammy’s wife meets Leonard, asking for help to solve his condition, but she only hears that his condition is emotional, not physical.
    Leonard’s next tattoo says never to answer the phone, he becomes suspicious and ends the conversation. The phone rings again, but Leonard won’t pick up and leaves orders at the front desk to not put through any more calls. The desk clerk shows up, telling Leonard that a cop is calling, but he still refuses the calls. A note is pushed under the door, telling Leonard to answer the phone, together with it comes a picture of him, covered in blood, but smiling.
    Leonard finally picks up, but he is clearly stressed and demands to know who it is and why he’s calling. We hear that after Sammy’s wife talked to Leonard, she went home and told Sammy multiple times that it was time for her insulin shot, in the hope that he would remember she already had one. She never recovered.
    The conversation turned towards Jimmy (Jimmy G, from the tattoo), who apparently is a drugsdealer. Leonard and the cop on the phone say they’ll meet in the lobby, where a guy with glasses shows up (who is apparently the cop in question, named Teddy). Leonard is given some directions, after which he gets in an old truck and drives to an abandoned building, where Jimmy arrives. Leonard, believing Jimmy was his wife’s murderer, kills the man after which he changes into Jimmy’s suit and hides the body, when the cop walks in. Teddy explains that he has been helping Leonard for several times, looking for the real murderer first, which Leonard killed but forgot all about. After this they have been hunting down the killer over and over again. He also tells that Leonard was the one who gave his wife the overdose of insulin, after the recovery of her so-called “murder”, not Sammy. This causes Leonard to put “Don’t believe his lies” on Teddy’s polaroid and writing down Teddy’s licence plate, hoping he would hunt the liar down next time. Leonard gets in Jimmy’s Jaguar and drives off to a tattoo shop.
    Leonard has fact 6 tattood (a car licence number), when Teddy walks in telling him that he’s an informer for the police and warning that a drugsdealer named Jimmy is after him. Leonard drives to a bar, where he is stopped by a woman who calls him Jimmy. Our guy enters the bar, where the woman from before is working, who tells him that a cop called about him and his condition; She also asks about Jimmy and Teddy. The woman draws a beer, telling all people in the bar to spit in it, for luck, and sets it aside for a few minutes, after which she gives it to Leonard on the house, who drinks it. They talk about his condition, and she offers him a fresh beer. At her home, Natalie invites Leonard in, and Leonard tells us how he woke up to find his wife getting raped by two men. He shoots one, but the other manages to bash his head in and run off. The police didn’t believe there was a second guy and he has been looking for him since.
    The next day, Natalie bursts in, angry and it becomes clear that she is only using Leonard to get rid off a guy called Dodd. She keeps insulting him, until he slaps her around. After this she walks out, but since she hid all pens before she came in, Leonard can’t write it down in time to forget this happened. He is still frantically looking for a pen to write something down, when Natalie walks back in with a busted lip and a black eye, telling Leonard Dodd did it because of Teddy. Leonard gets out and meets with Teddy, who tells him not to trust Natalie and to write this down, but Leonard uses a different handwriting than his usual one, to recognize fact from fiction. When Teddy leaves again, Leonard crosses out the warning and reads Teddy’s polaroid which tells him not to believe his lies.
    At a motel, Leonard is shown ordering a callgirl, who is ordered to wait until he is asleep, smash the door loud enough to wake him up and spread some random items round the room. When she does this, Leonard wakes up to find a woman doing drugs in his toilet. He kicks her out, gets some items from around the room, walks to his car and drives to an abandoned area, where builds a fire and is shown burning memorabilia of his wife, trying to get more memories of her. He also wonders how much times he tried this before.
    It is dawn and Leonard drives off, visibly tired. He is stopped by a man who threatens him with a gun, shoots the window of his car and runs off after Leonard, who after a brief chase manages to get in the car and escape, but finds a note in the car with the man’s (Dodd) description and address. He drives to the address, where he ambushes some poor guy because he got the wrong house number. After this epic and random failure, he finds the right room, enters and hides in the shower with a bottle of whiskey as a weapon. Forgetting why he is there, he gets under the shower and quickly discovers a strange man entering the room, who he hits with the bottle, gags and puts in the closet. He calls Teddy to come help him.
    Leonard wakes up in the motel room and discovers a gun in the bedside drawer and a bloodied guy in the closet. Teddy shows up and helps with dumping Dodd outside the city, telling him to never come back.
    Natalie opens the door to Leonard, who is clearly angry and who shows a picture of a bloody guy called Dodd. Natalie explains how Dodd was her problem and how Leonard offered to help. In a conversation, Leonard explains the difference between remembering and knowing things, and the couple end up in bed together.
    Leonard wakes up in a strange bed next to a woman, in which we recognize Natalie. The scene ends with a conversation on memories, and Natalie kissing Lenny, after which Leonard leaves and enters his car, where he is stopped by Teddy, who buys him lunch and they talk about how reliable memories are. Leonard gets back to his motel, where he discovers that he is being ripped off by the manager, who managed to rent him two different rooms (since he’d forget anyways). Leonard finds a note in his pocket, telling him to meet Natalie in a diner, for information. Leonard enters the diner and talks to Natalie, where is he handed an envelope. The conversation moves to Leonard’s wife, and we see a flashback of her. After this Natalie leaves, Leonard goes to the bathroom and forgets.
    Leonard comes from a bathroom and finds himself in a diner, which he leaves with keys, a picture of a motel-sign and an envelope. He drives to the motel on the picture, the Discount Inn, and enters a room where one wall is covered with notes and pictures. The envelope is opened, and contains a copy of Teddy’s drivers license, but the name on it is John Edward Gammell. Leonard calls the phone number on the picture of Teddy, who answers to tell him he’ll be right over. Looking over his tattoos with facts, Leonard confirms that this information is about Teddy, and writes on his polaroid to kill the guy. He gets a gun and leaves his motel room, but stops at the lobby where he explains his condition to the man at the desk. He suffers from a condition which prevents him from making new memories, causing him to have a short-term memory of mere minutes, after which he forgets everything. He leaves the motel with Teddy. They drive to a building, but Leonard has forgotten why. During the drive Leonard notices that the window of his car is broken. When they arrive at the building, they find an abandoned car next to it. Inside the building Leonard finds a polaroid of Teddy in his pocket, saying that “He is the one. Kill him”. The scene ends with Leonard shooting Teddy in the head.

    Review

    There is no denying it: the concept of Memento is great and it has been realized in an amazing way, the greatest part of it, however, also is the greatest flaw: the non-linear timeline. When you see this film for the first time, you have no idea what is happening, who this guy is and who wants to use him for what, which is a big piece of what makes this such a great film. When you see this movie again, all this will be gone and it has the potential for just being plain annoying.
    Besides the playing with time, this movie is just another movie with ups and downs. Cinematography: great! I especially love the black and white parts, where the contrast is being used to great effect. The acting of most of the actors (besides Pearce) didn’t really surprise me; it was okay, but far from being great and amazing. Pearce himself, however, really pulled off the trick of convincing us that he has a memory problem, by not just acting but actually being confused at times. I don’t know how Nolan shot this, but I wouldn’t be surprised if he did it in order of the film, and gave Pearce only short pieces of the script, instead of the whole thing.
    The storyline was good, especially because it uses the memory condition in the movie, making it more than a simple plot device. We all have seen this kind of ending before, where the SPOILER main SPOILER character SPOILER forgot SPOILER that SPOILER his SPOILER own SPOILER story SPOILER was SPOILER actualy SPOILER about SPOILER him END SPOILER, but that doesn’t make it bad, because in this case it works. I especially love how small details get explained later on, like the parked car next to the building at the beginning, or why certain notes appear on the polaroids. The great advantage of this kind of movie-making, is that you can see things happen, after which you can see why they happened. The downside is that it only really works to full effect the first time.
    The portrayal of the memory condition has met with great professional acclaim, and apparently the condition really happens like the audience sees it: scenes of ten minutes with no idea what happened before, with some thoughts back to the past before the condition appeared.

    Conclusions

    Nolan did it again, he pulled off a great movie. This would have gotten 4½ or even 5 out of 5 stars, were it not that the greatness only lasts for the first watch, whenever you watch it for another time, the best part is already gone. Even then, though, it is still a masterpiece with great acting from Pearce, beautiful cinematography in the black and white parts and some entertaining moments.

Reviews written by